đźŽHow The West Was Lost—Or, Pure As The Driven Smog (Part 2)

Behind the Curtains
Okay, so maybe the Aquarius Rising Theater didn’t have curtains, but we definitely had a backstage area where all the stress went to play before the play. It’s in that area where one realizes exactly how much work goes into play acting.
I promised you yesterday that I’d introduce you to the powerhouse woman who made all the difference in my stage presence. This castmate was both an actress and a stunt woman, and she had a commanding influence as a trainer behind the scenes. The actress was Spice Williams-Crosby, whom you may have seen play a saloon girl in The Cherokee Kid with Sinbad or the Klingon Vixis in Star Trek V: The Final Frontier. If you want to learn more about Spice and her super health conscious endeavors that make me think she is still just as powerful now as then, check her official website.
Since I was only 16 or 17, I don’t recall if Spice was actually an official director or not, but she definitely directed me and others to pull off a truly great performance. She took our little production as seriously as if it were a high-paying, top Hollywood release. By the end of her training, I knew how to speak and act like a New York newspaper boy, a little orphan girl, and an old Indian woman.
Seven Costume Changes and One Tired Teenager
That newspaper boy had more than one headline to sell, and in between those sales, three little orphan girls had to show up in tattered clothing and then change to more appropriate sleepwear. The fun Irish nanny taught us to have hope for tomorrow with a little song that went something like:
Some fine day when my ship comes in,
I won't care about, never think about,
What my life has been.
I'll have chicken every Sunday,
Never go to work on Monday,
When my ship comes in.
That was the chorus, and I know the verse had the line, “I’ll live the life of Riley, hip hooray” in it, but I can’t recall the rest.
Wild, Wild Mabel
For some reason, though, I can recall all the words and the tune for a song I didn’t sing myself, and that’s the song Wild, Wild Mabel that was sung by Spice.
(Chorus)
Wild, wild Mabel,
Wild, wild Mabel.
There's never been a man who was able
To tame her.
Meaner than a lion, she could scratch and claw.
With a red hot trigger and fast on the draw,
Yes Wild, Wild Mabel was her name.
(Verse--partly spoken)
(Speak)
On a cold dark night,
Back in 74,
Mabel went out
To settle a score
(Sing)
With a tall dark stranger who was known as Dangerous Dan.
(Speak)
A shot was fired,
And the silence was broken,
The door swung open,
With the gun still smokin'.
(Sing)
Yes, Wild, Wild Mabel got her man.
(Repeat chorus)
Wild, wild Mabel,
Wild, wild Mabel.
There's never been a man who was able
To tame her.
Meaner than a lion, she could scratch and claw.
With a red hot trigger and fast on the draw,
Yes Wild, Wild Mabel was her name.
When I shared these lyrics with Gemini to see if they exist anywhere online, I got a little history lesson about an embedded joke in the lyrics. Gemini says, “That is a direct, hilarious nod to ‘The Shooting of Dan McGrew,’ the famous 1907 Robert W. Service poem that practically defined the entire ‘Wild West saloon melodrama’ genre!”
It’s a very long poem, but it has some interesting history and alternate texts, so I recommend looking at its Wikipedia page for all the info, like the fact that Ronald Reagan and Canadian Prime Minister Brian Mulroney did their own alternating recital of it.
Stay Tuned for Our Final Act: Part 3
While the orphans were getting ready for bed, the Irish nanny had some comedic surprises of her own as she sang to us about failing at being a “Shoplifters Daughter,” and then walked to the corner of the room to sing the ultimate guilt-trip torch song, “Tears on My Pillow.”
You won’t find these lyrics anywhere else on the internet (or if you do, please tell me where), so make sure to check back tomorrow for the grand finale of this fun journey down my memory lane.
🎵Milestones

I’m keeping this really short because I wore myself out today going through many of the milestones I’ve kept in boxes because they are so precious to me. And I’m thankful for the memories, but there comes a time when you’ve got to whittle the physical parts of the memories down a bit. I’ve still got all the good stuff in my heart where it matters most.
And speaking of milestones, my little sister is celebrating a big one, so I played around with some AI music and created a short chorus for her. I made it to just “My Little Sister” so my readers can download it for their little sister’s birthdays as well if they like. Here are the lyrics…
Happy birthday to you sister,
The best little sister I adore.
I celebrate with you, little sister.
Have a great birthday...
And many, many more!
And here is the sound track…
And because I love the Holy Word of God so much, I even found a birthday Bible study to share with her and you all. Just go to Bible.com to find it with this link:http://bible.com/r/ADb which should take you to a study called A Birthday Card from Your Creator (A 7-Day Devotional).
Psalms 139:14 CSB
[14] I will praise you because I have been remarkably and wondrously made. , Your works are wondrous, and I know this very well.Â
https://bible.com/bible/1713/psa.139.14.CSB
🎵 Holy, Pure, and Undefiled (Full Song)🎶

It’s done, and I’m excited to share it with my readers. This is the finished song with 3 verses added to the chorus I shared on the post April 18th. I’m not sure what was harder, writing the lyrics, getting a sound I like from Gemini (Lyria model), or getting this uploaded to YouTube so I could embed it here. Though difficult and time-consuming, I actually enjoyed the process, and now I’m excited to try a bunch more of my poetry set to music. What a fun way to write for the joy of The Lord, and then to make a joyful noise.
1 John 1:4 BSB
[4] We write these things so that our joy may be complete.
https://bible.com/bible/3034/1jn.1.4.BSB
Psalm 100:1-2 BSB
[1] A Psalm of thanksgiving. Make a joyful noise to the Lord, all the earth. [2] Serve the Lord with gladness; come into His presence with joyful songs.
https://bible.com/bible/3034/psa.100.1-2.BSB
I won’t bore you with a ton of details, but there have been some great lessons learned. Part of the learning felt like being in the music studio redoing tracks until they didn’t have any more hiccups. I heard Elvis was famous for doing that hundreds of times. And Marty Robbins was able to go into the studio and sing a song to perfection at the first take. (I’m sure you know who Elvis was, but if you’re not familiar with Marty, look up his album called Gunfighter Ballads and Trail Songs for some you might find familiar like “El Paso” and “Cool Water.” Or you might remember him for “A White Sport Coat and a Pink Carnation.”)
And that was a fun rabbit trail. Lol 🤣 Anyway, to get the recording with which I was finally happy, it took coming back after I ran out of credits, and it took using multiple AI models. The Pro model didn’t want to help once it saw religious lyrics (I’m sad for that part), but the fast model that helps with a lot of Bible queries from me said it’s just how it’s trained. So, I let the fast model create the prompt with all the right spaces and breaks and punctuation to tell the Lyria model how to sing my words. AI knows AI, so the understanding was finally there to get my song, complete with ending tags (though it could’ve done a little better on that part), and a big orchestra & choir sound. The more I’ve played it, the more I’ve liked it.
And the last piece to the puzzle was finding out that Adobe Express would listen to the video and create captions in time with the music. I had to change some font sizes and boldness within the parameters of not having Adobe premium, but I was able to get them done in a way that should help y’all sing along. So, here for its debut blog performance, please enjoy Holy, Pure, and Undefiled with Lyrics by me and all the rest by Gemini and Lyria…




















